![]() ![]() Currently this mode supports only the UTF-8 character set. Live mode: When you turn on this option the entered data is encoded immediately with your browser's built-in JavaScript functions, without sending any information to our servers.The applied character limit is defined in the MIME (RFC 2045) specification, which states that the encoded lines must be no more than 76 characters long. Split lines into chunks: The encoded data will become a continuous text without any whitespaces, so check this option if you want to break it up into multiple lines.Use this option if you want to encode multiple independent data entries separated with line breaks. Encode each line separately: Even newline characters are converted to their percent-encoded forms.For the files section, this is partially irrelevant since files already contain the corresponding separators, but you can define which one to use for the "encode each line separately" and "split lines into chunks" functions. Newline separator: Unix and Windows systems use different line break characters, so prior to encoding either variant will be replaced within your data by the selected option.As for files, the binary option is the default, which will omit any conversion this option is required for everything except plain text documents. Note that in case of text data, the encoding scheme does not contain the character set, so you may have to specify the appropriate set during the decoding process. ![]() Change this option if you want to convert the data to another character set before encoding. Character set: Our website uses the UTF-8 character set, so your input data is transmitted in that format.As such it is also used in the preparation of data of the "application/x-www-form-urlencoded" media type, as is often employed in the submission of HTML form data in HTTP requests. Although it is known as URL encoding it is, in fact, used more generally within the main Uniform Resource Identifier (URI) set, which includes both Uniform Resource Locator (URL) and Uniform Resource Name (URN). URL encoding, also known as "percent-encoding", is a mechanism for encoding information in a Uniform Resource Identifier (URI). URL encode your data without hassles or decode it into a human-readable format. A crucial influence on his fiction, Lovecraft’s dreaming can be seen as a phantasmic supplement to the reductive naturalism of his intellectual outlook, lending his work an uncanny dynamism that helps explain its continued power to stimulate thought, imagination, and cultural creation.Meet URL Decode and Encode, a simple online tool that does exactly what it says: decodes from URL encoding as well as encodes into it quickly and easily. Lovecraft’s literary vision was also amplified by the vivid, often nightmarish, and intensely detailed dreams he experienced throughout his life. His weird tales were imaginative diversions from this nihilism, but their horror reflected it as well. This lifelong philosophical stance led Lovecraft to embrace the disillusioning powers of science, but also to pessimistically anticipate science’s ultimate evisceration of human cultural norms and comforts. In contrast to the implicit supernaturalism of ghost stories or the gothic tale, the metaphysical background of Lovecraft’s stories is a ‘cosmic indifferentism’ rooted in the nihilistic and atheist materialism that Lovecraft professed at great length in his fascinating letters. Lovecraft’s weird fiction is characterized by a fascination with occult grimoires and forbidden knowledge a pantheon of bizarre extraterrestrial pseudo-gods who are essentially inimical to human life a nostalgic attachment to the history and landscape of New England and a heavily racialized concern with human degeneration and atavistic cults. In his tales, Lovecraft blended elements of fantasy, horror, and science fiction into a strikingly original, infectious, and highly influential narrative universe. Howard Phillips Lovecraft (1890–1937) was an American writer principally known for his weird fiction, a largely British and American sub-genre of speculative narrative that he helped both characterize and, as a critic, define.
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